Right Don,
I shoot in RAW most of the time. I understand the concept in the tute. I keep hoping somebody will tell me how to apply it to PSE6, which doesn't allow me to calibrate hue and saturation of R, G, and B. I can only adjust the overall image.
I still disagree about built-in profiles in my camera. You said that there's one RAW profile for tungsten light and one for daylight. How is selection made between these two profiles? Are you talking about adjusting white balance for different light sources? My camera has more than two WB adjustments.
I know you're trying to help, but I've spent a long time trying to make the tute work in PSE. I would love it if somebody would show me where I can do the kind of calibration described in the tute.
I'm using PSE 6 and ACR 4.3.1, the latest offering from Adobe.
Steve
I shoot in RAW most of the time. I understand the concept in the tute. I keep hoping somebody will tell me how to apply it to PSE6, which doesn't allow me to calibrate hue and saturation of R, G, and B. I can only adjust the overall image.
I still disagree about built-in profiles in my camera. You said that there's one RAW profile for tungsten light and one for daylight. How is selection made between these two profiles? Are you talking about adjusting white balance for different light sources? My camera has more than two WB adjustments.
I know you're trying to help, but I've spent a long time trying to make the tute work in PSE. I would love it if somebody would show me where I can do the kind of calibration described in the tute.
I'm using PSE 6 and ACR 4.3.1, the latest offering from Adobe.
Steve